The Rhymer

an Heredyssey

by Douglas Thompson

Palimpsest derived from photos of Leonardo’s work by Janaka Dharmasena/shutterstock.com Original artwork by Alison Buck

Palimpsest derived from photos of Leonardo’s work by Janaka Dharmasena/shutterstock.com
Original artwork by Alison Buck

The Rhymer, an Heredyssey defies classification in any one literary genre. A satire on contemporary society, particularly the art world, it is also a comic-poetic meditation on the nature of life, death and morality.

A mysterious tramp wanders from town to town, taking a new name and identity from whoever he encounters first. Apparently amnesiac or even brain-damaged, Nadith Learmot nonetheless has other means to access the past and perhaps even the future: upon his chest a dial, down his sleeves wires that he can connect to the walls of old buildings from which he believes he can read their ghosts like imprints on tape. Haunting him constantly is the resemblance he apparently bears to his supposed brother, a successful artist called Zenir. Setting out to pursue Zenir and denounce or blackmail him out of spite, in his travels around the satellite towns and suburbs surrounding a city called Urbis, Nadith finds he is always two steps behind a figure as enigmatic and polyfaceted as himself. But through second hand snippets of news he increasingly learns of how his brother’s fortunes are waning, while his own, to his surprise, are on the rise. Along the way, he encounters unexpected clues to his own true identity, how he came to lose his memory and acquire his strange ‘contraption’. When Nadith finally catches up with Zenir, what will they make of each other?

Told entirely in the first person in a rhythmic stream of lyricism, Nadith’s story reads like Shakespeare on acid, leaving the reader to guess at what truth lies behind his madness. Is Nadith a mental health patient or a conman? – or as he himself comes to believe, the reincarnation of the thirteenth century Scottish seer True Thomas The Rhymer, a man who never lied nor died but disappeared one day to return to the realm of the faeries who had first given him his clairvoyant gifts?

Rachel Kendall, writer and Editor of Sein und Werden, has penned an introduction in which she says: “Obviously Thompson is a risk-taker, a dare-devil member of the literati, to propose such a feat as this. Should the measurements be out of sync, the angles a bit skewed or the trajectory off course, this could have been disastrous. But Thompson’s risks are calculated. He is a master craftsman, pulling out all the stops with exceptional timing (comic and otherwise).”

Rhys Hughes, renowned Welsh writer and essayist said: “The oldest and best stories in the world were told rhythmically, lyrically, with the music of beauty, terror, loss and longing. It’s a form that has fallen somewhat into disuse in recent decades, and that’s a shame. But Douglas Thompson, a new writer of immense promise, is helping to find this wondrous method again, to ensure that the newest and best stories are also told rhythmically, lyrically, with the music of beauty, terror, loss and longing, and, in The Rhymer, to additionally fuse the form with modern and unique concepts, to create an effect that is richly complex but simply stupendous.”

The Rhymer also boasts a cover and interior illustrations designed by Alison Buck:

Artwork by Alison Buck

Palimpsest derived from photos of Leonardo’s work by Janaka Dharmasena/shutterstock.com
Original artwork by Alison Buck

Artwork by Alison Buck

Artwork by Alison Buck

Artwork by Alison Buck

Artwork by Alison Buck

Artwork by Alison Buck

Artwork by Alison Buck


The Rhymer, an Heredyssey was published in a digital edition on 2nd May 2014 and in paperback on 31st July 2014.

ISBN: 978-1-908168-51-1 eBook Typical price £2.99 / €3.49 / $3.99
ISBN: 978-1-908168-41-2 paperback 192pp List price £9.99 / €11.99 / $17.99

Prices online may vary. UK and EU eBook price includes VAT.


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